Thank You, Mr. Watterson

Like I’ve mentioned in previous posts, I absolutely love Calvin and Hobbes by Bill Watterson. I was raised on the comics, learned how to read with them, gained a broader imagination through them, and I still read them to this day. I want to use this post to explain just how much I love this strip and how it has impacted my life. However, I don’t know if the words I have are adequate or even enough to really show my apprieciation for Mr. Watterson. 

All strips featured in this post are from The Indispensible Calvin and Hobbes (1992). [View Larger]

For quick reference, Calvin and Hobbes is a comic strip about a mischevious, intelligent 6 year old boy and his stuffed tiger. Written by Bill Watterson, the strip ran from 1985-1995 and ran in 2,400 newspapers worldwide.

When I was little (probably about 5-7 years old), my dad would pull out a book of Calvin and Hobbes and read me to sleep. Dad’s only mistake was thinking that it would put me to sleep. Calvin’s adventures and vast imagination filled my head with stories and my own possible adventures that kept me awake. Now, about 17 years later, I’ve begun making my own comic strips and incorporating many things I’ve learned from Mr. Watterson and Calvin.

Spaceman Spiff is one of Calvins’s many alteregos. Thanks to Spaceman Spiff, I wanted to grow up to be an Astronaut-Princess who piloted her own spaceship and faught menacing aliens. [View Larger]

From his comics, I’m learning how to organize my comics in an asthetically pleasing, yet readable way, how to write the dialogue of comics, and how to turn everyday experiences into fantastical adventures.

I could say here how clever, creative, enduring, intelligent, thoughtful, thought-provoking, and hilarious Calvin and Hobbes is, but anyone who’s read the comics already understands. And if you haven’t read them, stop what you are doing and go read them. I suppose I don’t have much more to say, other than Thank You, Mr. Watterson.

My take on Bill Watterson’s style. I created this comic in response to hearing a lot of Christmas talk before Thanksgiving. (It’s actually one of my biggest pet peeves.)

The Funnies

It comes as no surprise that print newspapers are on a steady decline to obscurity. So what does this mean for the comic strips published in the papers? Will they die out too, or will they continue in the digital realm? It’s hard to say, but with webcomics and apps like Webtoons, comics like Blondie, Beetle Bailey, and Garfield might be able to continue on.

Garfield by Jim Davis (October 6, 2017)

While the “golden age” of comics tends to focus on comic books, it was a golden age for all comics. Newspaper strips also featured recurring characters and entertaining storylines. These comics were more aimed at small cracks of humor rather than a drawn out story. By creating comics featuring the same characters each day or week (depending on the comic’s publishing schedule with their syndicate) helped keep consistency and a loose focus for the overall comic. It also helped readers connect to the strips and develop a dedicated fanbase. However, it was the ability to have the characters in different situations or center on different topics that appealed the casual scanner of comics as well as readers looking for a little variety.

Typically, most comics (both strips and books) have simple backgrounds so the focus is on the action. Comic strips often simplify the background quite a bit, where some have no background (just white behind the character) while others use a flat color, sometimes to indicate emotion. To indicate place or setting, many comic artists just use a line to represent the ground, counter, or wall, while others will include simple furniture—such as a chair or table—to aid in the storytelling.

Blondie by Dean Young and John Marshall (October 2, 2017)

Another difference between the two comic forms is the overall art style. Newspaper comics are all about simplicity. Most newspaper cartoonists have a daily strip and can’t afford to spend a lot of time on it. On the other hand, comic book artists have longer deadlines and typically use a more detailed style. I think the simplicity of strips is appealing because they allow a reader to fill in the details and see themselves in the comic if they wish.

Calvin and Hobbes by Bill Watterson (this particular comic is from the collection The Calvin and Hobbes Lazy Sunday Book)

My love of comics began with newspapers. As a little kid, I looked forward to the weekends when I’d get good breakfast and could sit on my dad’s lap while we read the comics. He introduced me to the comics I still love to read today—Blondie, Garfield, Peanuts, Zits—and my all-time-favorite, Calvin and Hobbes. Bill Watterson’s comic about an imaginative, troublemaking 6-year-old and his stuffed tiger remains my favorite because it presents mature themes through a child’s eyes.   

A quick note about my comics for today: I really focused on emulating the simple backgrounds. I often feel the need to fill the background space with something but I never know what to do. I think I’ve learned that comics don’t always need a background, and the simple addition of color can just as effective as a setting.

A witchy comic I did for Inktober day 3. Here I use the flat color background I was trying to emulate.

Nessie Vs the Tourists- Inktober day 4